1 00:00:00,000 --> 00:00:03,430 Serial TV Story 2 00:00:09,900 --> 00:00:21,600 Heiwa Fansubs Presents... 3 00:00:09,900 --> 00:00:21,600 Carnation 4 00:00:11,760 --> 00:00:22,560 My small, rounded body is now 5 00:00:11,760 --> 00:00:22,560 Chisaku marumeta karada wa ima 6 00:00:11,760 --> 00:00:22,560 My body, tiny and curled up, is right now 7 00:00:15,270 --> 00:00:21,600 Week 21 "A Vivid Attitude" Episode 121 8 00:00:22,560 --> 00:00:30,500 Hiding the stains and trembling 9 00:00:22,560 --> 00:00:30,500 Kanashimi kakushi furuete 10 00:00:22,560 --> 00:00:30,500 Trembling with hidden sorrows 11 00:00:23,310 --> 00:00:26,940 Screenplay Watanabe Aya 12 00:00:26,940 --> 00:00:30,280 Music Satō Naoki Musical Performance\h Face Music 13 00:00:30,280 --> 00:00:33,640 Theme Song "Carnation" Sheena Ringo 14 00:00:30,500 --> 00:00:39,090 It represents life. 15 00:00:30,500 --> 00:00:39,090 Inochi o arawashite iro no ne 16 00:00:30,500 --> 00:00:39,090 My life is represented by my color, isn't it 17 00:00:34,350 --> 00:00:35,980 Cast 18 00:00:35,980 --> 00:00:39,050 Ohara Itoko Ono Machiko 19 00:00:39,050 --> 00:00:42,150 Ohara Yūko Niiyama Chiharu 20 00:00:39,090 --> 00:00:49,710 My eyelids are now heavily wet 21 00:00:39,090 --> 00:00:49,710 Omoku nurashita mabuta wa ima 22 00:00:39,090 --> 00:00:49,710 My eyelids, heavily soaked, are right now 23 00:00:42,150 --> 00:00:45,220 Ohara Naoko Asami Kawasaki 24 00:00:45,220 --> 00:00:48,260 Satoko Ohara Misako Yasuda 25 00:00:48,260 --> 00:00:51,270 Kinomoto Eisaku Kōmoto Masahiro 26 00:00:49,710 --> 00:00:57,790 For a day that brings joy 27 00:00:49,710 --> 00:00:57,790 Yorokobi utsusu hi no tame 28 00:00:49,710 --> 00:00:57,790 Reflecting my rapture of this day 29 00:00:51,270 --> 00:00:54,270 Matsuda Megumi Rokkaku Seiji 30 00:00:54,270 --> 00:00:56,430 Kitamura Tatsuo Hosshan. 31 00:00:56,430 --> 00:00:58,600 Sae Kurotani Tomoka 32 00:00:57,790 --> 00:01:07,130 You're growing your heart 33 00:00:57,790 --> 00:01:07,130 Kokoro o sodatete iru no ne 34 00:00:57,790 --> 00:01:07,130 That's how a heart is raised, isn't it 35 00:00:58,600 --> 00:01:00,770 Kioka Yasuo Uesugi Shōzō Masako\h Genkaku Yūko 36 00:01:00,770 --> 00:01:02,940 Kioka Miyo Iijima Junko Kinomoto Setsuko \h Nishimura Ayako Murayama\h Someya Yuka 37 00:01:12,880 --> 00:01:18,790 Showa 40 (1965) March 38 00:01:13,880 --> 00:01:16,510 Good afternoon. 39 00:01:14,960 --> 00:01:16,510 Ala, good afternoon. 40 00:01:16,510 --> 00:01:19,160 Is your Mom around? 41 00:01:18,070 --> 00:01:19,160 She is. 42 00:01:19,600 --> 00:01:22,180 Mooom! Mom! 43 00:01:22,180 --> 00:01:24,260 Yes! 44 00:01:22,750 --> 00:01:24,260 It's Oba-chan. 45 00:01:24,260 --> 00:01:27,450 Ah, good afternoon. 46 00:01:25,340 --> 00:01:27,450 Ahh... Ito-chan, sorry when you're so busy. 47 00:01:27,450 --> 00:01:28,720 Yeah. 48 00:01:27,900 --> 00:01:28,720 Look. 49 00:01:28,720 --> 00:01:31,920 Do you know about this Ivy League style thing? 50 00:01:31,920 --> 00:01:33,590 "Ivy League style?" 51 00:01:32,600 --> 00:01:33,590 Mmm. 52 00:01:33,590 --> 00:01:36,330 Recently young boys have been coming in and asking... 53 00:01:36,330 --> 00:01:42,180 "Why don't you have any Ivy League style shoes available?" like that. 54 00:01:42,180 --> 00:01:46,120 Ahh... ones different from loafers? 55 00:01:47,650 --> 00:01:50,810 These shoes are loafers. 56 00:01:50,810 --> 00:01:53,790 Ivy League is just a famous style of them. 57 00:01:54,330 --> 00:01:57,220 That's the name of these clothes? 58 00:01:56,480 --> 00:01:57,220 Well... 59 00:01:57,220 --> 00:01:59,740 ...it refers to an entire line of clothing. 60 00:01:59,740 --> 00:02:01,810 That's the Ivy League style. 61 00:02:02,500 --> 00:02:04,540 This style of clothing is famous? 62 00:02:04,540 --> 00:02:06,920 Yeah. That's how it is these days. 63 00:02:06,920 --> 00:02:09,240 In Showa 40... 64 00:02:08,570 --> 00:02:09,240 Huh? 65 00:02:09,240 --> 00:02:11,890 ...the Ivy League style, what Kioka-obachan had come to ask about... 66 00:02:11,890 --> 00:02:14,450 ...was all the rage. 67 00:02:15,410 --> 00:02:21,220 Osaka, Shisaibashi 68 00:02:18,210 --> 00:02:22,170 Kitamura felt certain that business would be good... 69 00:02:22,790 --> 00:02:24,180 That's right. 70 00:02:24,570 --> 00:02:30,350 If I had just been serious about getting into Ivy League, I'd be making a profit on it by now. 71 00:02:30,710 --> 00:02:31,730 Eh? 72 00:02:32,160 --> 00:02:34,240 You're only now getting into Ivy? 73 00:02:34,240 --> 00:02:37,730 I have. But even so, only halfway. 74 00:02:37,730 --> 00:02:39,230 The other half, look... 75 00:02:39,230 --> 00:02:45,090 ...was spent investing in my raising-a-designer plan. The loss from that left me even. 76 00:02:46,000 --> 00:02:47,970 You're a fool. 77 00:02:47,970 --> 00:02:51,130 Your greed is so boring. 78 00:02:51,130 --> 00:02:54,340 No, no, but it's from here on that counts. 79 00:02:55,150 --> 00:02:58,680 I can't recover my investment from those who join in next... 80 00:02:58,680 --> 00:03:03,040 ...but I do have my star of hope. Look, she's over there. 81 00:03:07,270 --> 00:03:11,400 First she gains a track record in haute couture... 82 00:03:11,650 --> 00:03:17,360 ...and then when Ohara Yūko becomes a famous leading designer, that's when we win the game. 83 00:03:18,720 --> 00:03:22,340 Then we can do pret-a-porter! 84 00:03:22,880 --> 00:03:27,080 The "Yūko Ohara Collection!" 85 00:03:27,080 --> 00:03:30,560 Kitamura's talk was always interesting, but... 86 00:03:30,560 --> 00:03:33,430 He's unrealistic... 87 00:03:33,430 --> 00:03:35,640 ...and everything I heard from him was ridiculous. 88 00:03:35,640 --> 00:03:37,330 That's true. 89 00:03:37,330 --> 00:03:39,280 Well still... 90 00:03:39,280 --> 00:03:43,440 ...that talk might not be so unrealistic. 91 00:03:43,620 --> 00:03:44,600 Eh? 92 00:03:45,190 --> 00:03:49,680 Well Sensei, please consider this. 93 00:03:49,680 --> 00:03:55,390 Both Yū-chan and Nao-chan may seem unreliable when you look at them... 94 00:03:55,390 --> 00:03:58,350 ...but it's true that the younger won the Sō-rei award... 95 00:03:58,350 --> 00:04:01,600 ...and the other one turned a store in a Tokyo department store around... 96 00:04:01,600 --> 00:04:04,260 ...and made it popular, didn't she? 97 00:04:04,260 --> 00:04:05,250 Ah... 98 00:04:05,570 --> 00:04:07,230 Well... 99 00:04:07,600 --> 00:04:12,330 Wouldn't it be best to have a little more faith in them? 100 00:04:13,460 --> 00:04:15,660 Well... 101 00:04:15,660 --> 00:04:19,160 I can't believe in them that much. 102 00:04:19,160 --> 00:04:20,500 Eh? 103 00:04:21,390 --> 00:04:24,980 With Ms. Mean and Ms. Perverse. There's a big difference. 104 00:04:25,650 --> 00:04:28,210 Ms. Mean and Ms. Perverse? 105 00:04:29,240 --> 00:04:32,110 And then the youngest one is... 106 00:04:32,510 --> 00:04:33,820 Ms. Fool! 107 00:04:34,420 --> 00:04:37,950 Mean, perverse and the fool! 108 00:04:39,890 --> 00:04:41,200 That's a good one! 109 00:04:41,200 --> 00:04:43,150 Mooom! 110 00:04:43,150 --> 00:04:45,910 I drew Murayama-san's design, but... 111 00:04:49,130 --> 00:04:50,310 Where is it? 112 00:04:53,480 --> 00:04:54,740 This again!? 113 00:04:55,340 --> 00:04:56,420 Huh? 114 00:04:56,910 --> 00:05:00,500 Why have you made the skirt so short again for? 115 00:05:00,500 --> 00:05:01,860 Ah... 116 00:05:02,430 --> 00:05:03,840 I can't? 117 00:05:03,840 --> 00:05:07,450 You were told by a customer just the other day that this was "shameless." 118 00:05:07,450 --> 00:05:09,290 So you're drawing it again? 119 00:05:11,330 --> 00:05:12,540 Yeah. 120 00:05:15,100 --> 00:05:19,990 Well, this design may not be the right answer. 121 00:05:20,760 --> 00:05:23,490 This seems a bit too short... 122 00:05:23,690 --> 00:05:26,480 ...but then again, short might be fine... 123 00:05:26,480 --> 00:05:31,580 However much I thought about them, I just couldn't wrap my head around these things... 124 00:05:29,190 --> 00:05:31,580 For the time being, I've done this drawing. 125 00:05:31,950 --> 00:05:35,170 Is that right? 126 00:05:32,450 --> 00:05:35,170 So I decided she should ask the customer. 127 00:05:36,260 --> 00:05:38,030 Whaa! 128 00:05:40,160 --> 00:05:45,020 Well... The length of the skirt is a little... 129 00:05:45,990 --> 00:05:47,990 Too much? 130 00:05:49,830 --> 00:05:52,810 Yeah... I guess it's a little too short. 131 00:05:52,810 --> 00:05:54,820 Well, even so! 132 00:05:53,830 --> 00:05:54,820 Eh? 133 00:05:54,820 --> 00:05:57,500 Ah, forgive me for butting in. 134 00:05:57,500 --> 00:06:01,510 That sort of shortness is embarrassing to you? 135 00:06:01,510 --> 00:06:04,640 Ah... Yeah. That's right. 136 00:06:05,430 --> 00:06:09,780 You don't like being embarrassed, but aren't you really thinking you'd like to try wearing it? 137 00:06:11,230 --> 00:06:12,570 Ah... 138 00:06:13,610 --> 00:06:15,550 I really am thinking that. 139 00:06:15,550 --> 00:06:16,890 Really?! 140 00:06:16,890 --> 00:06:18,770 You're really thinking about wearing such a thing... 141 00:06:18,860 --> 00:06:21,870 ...and going out walking with your legs and knees bared?! 142 00:06:21,870 --> 00:06:24,800 Shh! 143 00:06:22,280 --> 00:06:24,800 Sensei! Your voice is too loud. 144 00:06:24,800 --> 00:06:27,230 You're embarrassing the customer! 145 00:06:27,230 --> 00:06:28,720 Shh! 146 00:06:28,720 --> 00:06:31,480 Right! 147 00:06:29,160 --> 00:06:31,480 Forgive me, forgive me. 148 00:06:32,790 --> 00:06:34,280 Ah... Please continue. 149 00:06:35,360 --> 00:06:37,110 You'll consider it? 150 00:06:36,340 --> 00:06:37,110 Yes. 151 00:06:37,110 --> 00:06:39,370 Ahhh... 152 00:06:39,370 --> 00:06:41,190 ...so that's it! 153 00:06:42,380 --> 00:06:44,420 A woman... 154 00:06:44,420 --> 00:06:47,400 ...when she gets to a point where she feels she's pretty... 155 00:06:47,480 --> 00:06:49,760 ...she wants to show herself off to people as much as possible. 156 00:06:49,990 --> 00:06:51,820 It's only natural. 157 00:06:52,400 --> 00:06:54,250 Ah... 158 00:06:54,250 --> 00:06:58,330 Like back when you made me my first evening dress... 159 00:06:58,710 --> 00:07:01,330 ...and the back was all open. 160 00:07:01,330 --> 00:07:02,500 Hmm. 161 00:07:02,760 --> 00:07:06,350 I was so happy when I put that on. 162 00:07:06,350 --> 00:07:07,760 "Kyaa!" 163 00:07:07,760 --> 00:07:11,130 "It's great I'll get to show off my back like this," I thought. 164 00:07:11,600 --> 00:07:14,750 So when I was able to go out in it... 165 00:07:14,750 --> 00:07:16,740 ...I was wonderfully happy. 166 00:07:17,450 --> 00:07:19,690 Hmm... 167 00:07:21,560 --> 00:07:22,940 Happy... 168 00:07:23,350 --> 00:07:24,690 Yeah. 169 00:07:28,310 --> 00:07:30,430 A short skirt... 170 00:07:30,430 --> 00:07:34,780 Skirt length 20cm longer 171 00:07:32,060 --> 00:07:34,070 A short skirt. 172 00:07:35,740 --> 00:07:39,800 What young girls in their innermost thoughts want to wear... 173 00:07:43,120 --> 00:07:45,350 Ah, I'll get it. 174 00:07:48,210 --> 00:07:51,320 Yes, hello, this is Ohara Dressmaking Store. 175 00:07:51,920 --> 00:07:53,230 Hello? 176 00:07:53,780 --> 00:07:56,640 Hello? Hello? 177 00:07:57,540 --> 00:08:00,120 Ah, Nao-chan?! 178 00:08:00,120 --> 00:08:00,930 Huh? 179 00:08:00,930 --> 00:08:02,190 Naoko? 180 00:08:03,020 --> 00:08:04,350 Paris? 181 00:08:04,750 --> 00:08:07,160 You're in Paris right now?! 182 00:08:09,340 --> 00:08:11,300 Eh?! Sato... Sato-chan? 183 00:08:12,480 --> 00:08:15,160 Wha... what is it? 184 00:08:15,160 --> 00:08:20,980 Mi, mi, mi... Mini... jyu? Jyupe? Jyupo? 185 00:08:21,390 --> 00:08:23,300 Mini-jupe. 186 00:08:31,870 --> 00:08:35,530 Take your time. 187 00:08:32,850 --> 00:08:35,530 Thank you very much. 188 00:08:41,820 --> 00:08:43,370 Congratulations on opening your store! 189 00:08:44,930 --> 00:08:46,900 Thank you so very much. 190 00:08:47,240 --> 00:08:50,760 I will take one. 191 00:08:49,040 --> 00:08:50,760 Please wait just a moment. 192 00:08:58,070 --> 00:08:59,790 Yes. 193 00:09:00,230 --> 00:09:02,310 Just one more! 194 00:09:05,060 --> 00:09:09,730 Excuse me... Are you Yūko-san's sister, Naoko-san? 195 00:09:09,730 --> 00:09:13,240 Yes. 196 00:09:10,580 --> 00:09:13,240 Ah, I saw you in "Sō-Rei!" 197 00:09:13,240 --> 00:09:15,070 Please let me shake your hand. 198 00:09:16,080 --> 00:09:17,290 Sure. 199 00:09:21,270 --> 00:09:23,520 Right! Thank you very much. 200 00:09:22,150 --> 00:09:23,520 Can I, too? 201 00:09:23,520 --> 00:09:25,490 Yes, of course. 202 00:09:30,110 --> 00:09:33,080 Sir, thank you. 203 00:09:33,080 --> 00:09:36,870 Congrats! You've done it. 204 00:09:36,870 --> 00:09:40,850 Kitamura! Come here, come here! 205 00:09:38,270 --> 00:09:40,850 It's wonderfully successful, huh? 206 00:09:40,850 --> 00:09:43,090 Oh, thanks, thanks, thanks. 207 00:09:43,090 --> 00:09:44,270 Look. 208 00:09:44,270 --> 00:09:45,400 Huh? 209 00:09:44,500 --> 00:09:45,400 Say. 210 00:09:45,400 --> 00:09:47,550 About that short skirt. 211 00:09:46,880 --> 00:09:47,550 Huh? 212 00:09:47,550 --> 00:09:51,060 We're starting on it tomorrow! We're gonna make this! 213 00:09:51,060 --> 00:09:51,740 Eh? 214 00:09:51,740 --> 00:09:53,180 I think I was naive. 215 00:09:53,180 --> 00:09:54,970 It was no good going just halfway in the shortness. 216 00:09:54,970 --> 00:09:57,580 We needed to be wonderfully, wonderfully short. 217 00:09:57,990 --> 00:10:01,350 It'll definitely sell. We'll sell them to death. 218 00:10:06,160 --> 00:10:08,100 Ta-dah! 219 00:10:10,170 --> 00:10:12,250 Wha... What is that, oi! 220 00:10:12,250 --> 00:10:13,760 What do you think? 221 00:10:13,760 --> 00:10:14,910 Of that length. 222 00:10:14,910 --> 00:10:17,920 Well, that's... That's... 223 00:10:17,920 --> 00:10:20,570 Ah, change clothes, change clothes. Hurry and change clothes! 224 00:10:20,570 --> 00:10:21,520 That's enough. 225 00:10:20,780 --> 00:10:21,520 Look. 226 00:10:21,610 --> 00:10:25,540 In Paris there are mini-jupes and short skirts. 227 00:10:25,840 --> 00:10:28,790 Courreges announced them in his Paris Collection for spring. 228 00:10:28,790 --> 00:10:30,500 Genta told me... 229 00:10:30,500 --> 00:10:35,210 ..."The girls who are wearing Chanel this winter will all switch over to this come spring." 230 00:10:35,210 --> 00:10:37,450 "Everyone considers it to be a beautiful length." 231 00:10:38,060 --> 00:10:41,390 Hurry and change clothes, I said! Exposing your knees all the time like that, oi! 232 00:10:41,390 --> 00:10:43,440 You still have to go out as a bride! 233 00:10:42,290 --> 00:10:43,440 I don't mind. 234 00:10:43,440 --> 00:10:45,540 It's not whether you mind. Don't move around like that, oi 235 00:10:45,540 --> 00:10:48,200 Well, even so, Kitamura. 236 00:10:48,200 --> 00:10:49,220 Huh? 237 00:10:51,840 --> 00:10:53,940 It's a dreadful thing... 238 00:10:54,510 --> 00:10:56,280 ...but the times are changing. 239 00:10:56,860 --> 00:10:58,400 Into what? 240 00:10:58,400 --> 00:11:02,270 From here on, Japanese girls'll be exposing their legs. 241 00:11:02,270 --> 00:11:04,880 Bringing them out. Not being able to marry... 242 00:11:04,880 --> 00:11:06,740 Well in the first place... 243 00:11:06,740 --> 00:11:09,760 ...this won't particularly affect them getting married. 244 00:11:10,120 --> 00:11:11,380 Huh? 245 00:11:11,790 --> 00:11:15,470 What's this, you? That's a scary way of talking. 246 00:11:14,530 --> 00:11:15,470 Well... 247 00:11:16,070 --> 00:11:18,350 ...to be honest I'm a little scared, too. 248 00:11:18,740 --> 00:11:21,370 We can't see what the era'll bring. 249 00:11:24,170 --> 00:11:27,420 But this much is certain. 250 00:11:28,850 --> 00:11:31,610 Short skirts'll catch on. 251 00:11:33,920 --> 00:11:35,230 Make it. 252 00:11:35,710 --> 00:11:37,260 Make it. 253 00:11:37,590 --> 00:11:38,790 Make it. 254 00:11:39,020 --> 00:11:40,270 Make it. 255 00:11:40,910 --> 00:11:42,060 Make it. 256 00:11:42,370 --> 00:11:43,670 Make it. 257 00:11:44,050 --> 00:11:45,100 Make it. 258 00:11:45,280 --> 00:11:46,430 Make it. 259 00:11:46,730 --> 00:11:51,040 Originally, the mini-skirt was the fashion of young girls in London... 260 00:11:47,120 --> 00:11:53,390 Showa 41 (1966) April 261 00:11:51,040 --> 00:11:53,960 ...so when they appeared in the foremost Paris Collections... 262 00:11:53,960 --> 00:11:58,930 ...the fashion world was all abuzz with talk about the juniors supplanting the seniors. 263 00:12:00,040 --> 00:12:02,100 But we still didn't know about such things... 264 00:12:02,100 --> 00:12:08,510 ...and anyhow, girls were just happy to be able to expose their legs again after so many years. 265 00:12:15,880 --> 00:12:19,970 Yo, Kitamura-chan! 266 00:12:17,430 --> 00:12:19,970 Oh, oh! Thanks for the business. 267 00:12:20,380 --> 00:12:21,950 You've got black eyes. 268 00:12:22,290 --> 00:12:23,800 It's sunglasses. 269 00:12:32,970 --> 00:12:34,900 Thank you. 270 00:12:36,930 --> 00:12:37,990 How is it? 271 00:12:38,270 --> 00:12:39,790 Is it profitable? 272 00:12:40,040 --> 00:12:43,720 It is profitable, thanks to you. 273 00:12:43,720 --> 00:12:45,450 Profits are pouring in. 274 00:12:46,170 --> 00:12:47,150 What is it? 275 00:12:47,500 --> 00:12:48,710 Not happy with that? 276 00:12:49,380 --> 00:12:51,680 Well, I'm happy... 277 00:12:51,680 --> 00:12:55,850 ...but I can't walk around anywhere. I don't know what I'm gonna see next! 278 00:12:58,250 --> 00:13:01,150 What a problem for the Sir! 279 00:13:01,150 --> 00:13:04,100 Won't long skirts be popular next time around? 280 00:13:04,100 --> 00:13:07,030 Well... For the time being they'll be short. 281 00:13:05,950 --> 00:13:07,030 Really? 282 00:13:07,550 --> 00:13:13,010 Over the long history of Japan, not once have they been able to bring them out like this. 283 00:13:13,010 --> 00:13:14,890 They wouldn't get over them so soon, now would they? 284 00:13:14,890 --> 00:13:16,630 Ah... 285 00:13:16,630 --> 00:13:18,540 Better get used to it. 286 00:13:18,540 --> 00:13:20,960 How depressing... 287 00:13:20,960 --> 00:13:22,120 Huh? 288 00:13:22,770 --> 00:13:26,660 It's fine to look at such nice figures. 289 00:13:27,320 --> 00:13:30,620 Just don't let them see you checking them out. 290 00:13:31,110 --> 00:13:32,800 Well, even so... 291 00:13:32,800 --> 00:13:37,770 ...in our time, that was very shameful... 292 00:13:36,340 --> 00:13:37,770 Shameful? 293 00:13:38,210 --> 00:13:41,700 You can't feed a dog on such things anymore. 294 00:13:41,700 --> 00:13:43,570 Well, even so... 295 00:13:42,240 --> 00:13:43,570 Sir! 296 00:13:45,600 --> 00:13:47,410 It's a pity... 297 00:13:47,680 --> 00:13:52,260 ...but the things of your era can't restrict the things of now. 298 00:13:52,260 --> 00:13:54,480 The times just keep on changing. 299 00:13:54,480 --> 00:13:58,500 It's okay for girls to expose their legs. They won't mind even if their fathers scold them. 300 00:13:58,500 --> 00:14:00,870 They won't mind even it means they can't go for brides. 301 00:14:00,870 --> 00:14:02,860 That's the times these are! 302 00:14:03,280 --> 00:14:07,200 Better hurry and change your way of thinking or you'll be left behind. 303 00:14:07,200 --> 00:14:09,920 So long, thanks. 304 00:14:08,530 --> 00:14:09,920 Thank you. 305 00:14:19,160 --> 00:14:21,170 In Showa 41... 306 00:14:22,170 --> 00:14:24,570 ...the legs of a young girl... 307 00:14:24,570 --> 00:14:27,980 ...had just trampled upon Kitamura's era. 308 00:14:29,100 --> 00:14:30,420 Oi! 309 00:14:31,010 --> 00:14:34,480 To Be Continued 310 00:14:33,130 --> 00:14:34,480 Oi! 311 00:14:34,990 --> 00:14:46,760 Week 22 "Youth Without Regret" 312 00:14:54,540 --> 00:14:57,570 Carnation 313 00:14:54,540 --> 00:14:57,570 End 314 00:14:54,540 --> 00:14:57,570 Stylishly Dressed Photo Gallery 315 00:14:55,280 --> 00:14:57,570 Homemade Herringbone Suit (Showa 45 (1970), Fukuoka-ken)